Accessibility

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Three characters are sitting on stage, eating noodle soup from white-and-blue bowls
Daniel Nguyen

Hörst
du mich?
Über viet-deutsche
Sprachlosigkeit

A play with music and dance by Benjamin Truong

OUTNOW! 2026
Theater Bremen
24.5.
Su
17:30
Venue: Kleines Haus, Theater Bremen

Duration: 75 Minutes

Solidarity price system: €8 / €12 / €18 ( free choice)
Bremen Pass 3 €
Culture semester ticket: free of charge

Advance tickets are available online and at the Theater Bremen box office ↗ (Mon–Fri: 11 a.m.–6 p.m. and Sat: 11 a.m.–2 p.m.).

Tickets are available at the box office starting 30 minutes before the performance begins.

Duration
75 minutes, no intermission

Languages

  • German, Vietnamese, and English audio
  • with Vietnamese and English subtitles

Venue
All Theater Bremen venues feature accessible entrances and accessible restrooms.
Wheelchair-accessible seating is available at all venues. Tickets can be purchased in advance at the box office, through the online store, or at the box office on the night of the performance.

Detailed information on the venue’s accessibility can be found here: Accessibility Kleines Haus ↗

Contact
If you have any questions regarding accessibility at Theater Bremen, the box office will be happy to assist you:
Box Office, Goetheplatz 1–3, 28203 Bremen, Tel 0421 3653–333, kasse@theaterbremen.de
Hours: Mon–Fri: 11 a.m.–6 p.m. and Sat: 11 a.m.–2 p.m.

  • Emotional stress, intergenerational trauma
  • Ghi chú nội dung: Căng thẳng về mặt cảm xúc, chấn thương tâm lý liên thế hệ

How can we express our feelings when the environment has never been allowed to become familiar? What dynamics are at play when communication with parents breaks down? Is the language barrier to blame? How do we navigate these challenges as perhaps the first generation openly questioning them? In Hörst du mich?, three protagonists grapple with the silence that often accompanies such disconnects. »Hörst du mich?« is a theatre project that explores the breakdown of communication and language from the perspective of second-generation Vietnamese Germans. The narrative delves into the daily struggles between two cultures, the complexity of multiple identities, and the pervasive sense of generational loneliness. The goal is to create a space where those affected can find a sense of belonging—whether in cultures, languages, or within themselves.

Benjamin Truong

Benjamin Truong is a Vietnamese-German director. Inspired by hip-hop, he seeks to foster a sense of community and is deeply committed to the issue of accessibility in theater. Benjamin’s productions are created through the interplay of dance, music, and language, making theater accessible and sensory in a way that welcomes everyone. It is particularly important to him not to create theater that excludes his own parents. For him, theater is a place for everyone. He has directed at venues including the Salzburg Festival, Treibstoff Theatertage Basel, HochX Munich, and the Deutsches Theater Munich. In his work, Benjamin continues to explore Vietnamese-German themes to make them more visible in the German-speaking theater scene. “Can You Hear Me? – On Vietnamese-German Speechlessness” at HochX Munich and “Model Minority” at the Treibstoff Theatertage Basel are his most recent productions. Benjamin studied directing at the August Everding Theater Academy under Prof. Sebastian Baumgarten. He is a co-founder of the Vietnamese-German community “Pho our Community” in Munich and was a scholarship recipient of the German National Academic Foundation.

Instagram @benjamintruong ↗

Credits

Acting, Dance, Music: Minh-Thu Nguyen, Ngoc Anh Nguyen (ANOTHER NGUYEN), The Vinh Luong
Director: Benjamin Truong
Dramaturgy: Barbara Luchner
Set Design: Esther Abdelghani
Text and Dramaturgical Collaboration: Quang Nguyễn-Xuân
Production Manager: Tabea Hopmans
Translation: Nam Anh Nguyễn Quốc
Production Assistant: Vivien Kaluza
Photo: Daniel Nguyen
Graphic Design: Reisundpapier, Thị-Hường Trương

Supported by the Department of Culture of the City of Munich, the Performing Arts Fund, and the Association of Independent Performing Arts Bavaria e.V. as part of the Bavarian Revival Funding program of the “Independent Arts Funding Package 2025” with funds from the Bavarian State Ministry of Science and the Arts. In cooperation with HochX Munich, Ballhaus Ost, and the OUTNOW! Festival.